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michelle thomas fine art

michelle thomas fine art • san francisco
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  • gallery
    • about the gallery
    • dana morrison: tenuous
    • neha deshmukh: girl you are rich, even with nothing
    • daniel southard: future fossil
    • Michelle Sindha Thomas: Plenty
    • samuel kampelman: distant existence
    • rené shoemaker: san francisco / paris / new york city
    • hardy hanson: there are things to come
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michelle thomas fine art blog

To Meneka who crawls into bed dressed like a Nepali. Half because she is cold and half because she feels it is a very luxe way to fall into bed and half because her lungs are still full of Bombay-Cochin smog and cold airplane germs. One foot in the East but facing west, missing but relieved and wanting the press of a crowd but hot and bothered and pushing it away and still feeling most at home in airports.

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An honor to present with this panel of bright stars at the 2021 NAEA National Convention.

My talking points, in summary:

I'm a teaching artist with experience in the context of schools, museums, city art centers, community art making initiatives, a
VeniceBeach.jpg

West Coasts: A story for my sister

December 13, 2021 in social commentary, memory, creative non-fiction

Michelle Sindha Thomas

THE FUTURE | MUMBAI 2030

For some reason, I imagine I’m telling you this story in Mumbai. We are on Juhu Beach, under a huge blue umbrella. My feet are in the sun and I’m lying on my back. You are on your tum-tum and only half listening. I’ve finally found someone good to love and he is out with your husband on a snack run that has turned into a full coastline hunt for authentic pani puri. I don’t know why we are in Mumbai but I think we have arranged to meet and actually spend time together. We have made no specific plans (so often the source of our fights); we are at that point where we’ve seen it all, done it all, all our fears have manifested and still we’ve survived. You yawn, turn on your elbow and say, as when you were seven years old: “Tell me a rusty red tricycle story.”

Tags: michelle thomas, michelle sindha thomas, chicago, india, kerala, kottayam, san francisco, los angeles, cochin, united states, california
← West Coasts: A story for my sister National Art Education Association 2021 Convention Panel Talk: Perspectives from Professionals of Color in Museums and Cultural Institutions →
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art creates meaning where none previously existed

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